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Kristin Chenoweth’s The Queen of Versailles to Close in January

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Kristin Chenoweth’s musical adaptation of *The Queen of Versailles* is scheduled to conclude its run on January 4, 2026, just two months after its official opening at the St. James Theatre on November 9, 2025. The announcement of an early closure follows a series of poor reviews from critics, despite a solid box office performance.

The production, inspired by the 2012 documentary of the same name, tells the story of a Florida couple’s ambitious plans to construct a lavish home during the economic turmoil of 2008. The musical debuted to mixed audience reactions, prompting its producers to announce an end date earlier than anticipated.

The show’s official Instagram account shared the news with fans, stating, “Consider this your royal summons. The Queen of Versailles will play its final Broadway performance on January 4th! Get tickets at the link in bio before time runs out.” This social media strategy aims to boost ticket sales ahead of the holiday season.

Critical Reception and Financial Performance

Upon its release, *The Queen of Versailles* faced significant criticism. Some reviewers indicated that the musical suffers from an identity crisis, struggling to define its direction. Critics pointed to the songs as a primary issue, suggesting they failed to resonate with audiences. While the first act received some praise, many found the second act to be notably drawn out.

Despite these mixed reviews, the show has managed to generate over $1 million per week since its debut. The financial performance indicates a level of interest that may provide a final push in ticket sales as the closing date approaches.

The challenges faced by *The Queen of Versailles* highlight the complexities of adapting real-life stories into musical formats. While the premise is engaging, the execution has left some audiences wanting more.

As the closing date draws nearer, fans of Kristin Chenoweth and musical theatre enthusiasts have the opportunity to experience the production before it bids farewell to Broadway. The mixed reception serves as a reminder of the unpredictable nature of theatrical success, where critical acclaim does not always align with audience interest or box office performance.

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