Chicago Symphony Orchestra Dazzles with Berlioz Under Mäkelä

UPDATE: The Chicago Symphony Orchestra (CSO) delivered a stunning performance of Hector Berlioz’s iconic Symphonie fantastique on Thursday evening, marking a significant moment in the early stages of the 2025-26 season. Under the direction of music director designate Klaus Mäkelä, the concert showcased the orchestra’s talent and the budding chemistry with its new maestro.

In a bold move, Mäkelä opened the concert with a heavyweight program, featuring both Symphonie fantastique and “Harold in Italy,” two expansive works that together highlight Berlioz’s innovative spirit. This ambitious pairing captivated the audience, as cheers erupted after each selection, making it clear that Mäkelä is already leaving a mark on the CSO.

Mäkelä, only 29 years old, is set to officially take on his role in September 2027, but the enthusiasm from the orchestra is palpable. The concert demonstrated their commitment to his vision, with musicians playing with energy and passion that reflected their support for the young conductor.

The evening unfolded with a creative exploration of Berlioz’s compositions, each lasting over 40 minutes and filled with a rich tapestry of emotions. The first movement of “Harold in Italy,” entitled “Melancholy, Happiness, and Joy,” was a particular highlight, showcasing the talents of solo violist Antoine Tamestit, who skillfully navigated the piece with a vibrant sound. Tamestit’s unexpected entrance from the rear of the orchestra added a theatrical flair, embodying the spirit of the wandering poet from Byron’s narrative.

In a display of remarkable artistry, Mäkelä conducted from memory, allowing him to connect more intimately with both the musicians and the audience. This choice was not just about flair; it reflected a genuine desire to engage more dynamically with the performance.

The orchestra’s brass section stood out, particularly with the contributions from new principal trombonist Timothy Higgins and principal trumpeter Esteban Batallán. The evening also featured impressive solo performances from English hornist Scott Hostetler and guest flutist Herman van Kogelenberg of the Munich Philharmonic, who captivated the audience with his warm, rich tones throughout the concert.

Mäkelä’s programming choices highlight an exciting future for the CSO as he begins to establish his identity within this storied ensemble. With a focus on creativity and emotional depth, the concert exemplified the orchestra’s commitment to pushing boundaries and celebrating the transformative power of music.

As the CSO prepares for the remaining concerts in this series, the anticipation builds. Audiences can expect more innovative programming and a fresh approach to classical music under Mäkelä’s direction, solidifying his place in the orchestra’s distinguished legacy.

Stay tuned for updates on upcoming performances as the CSO continues to captivate audiences with exhilarating programming and a vibrant musical experience.